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    <loc>https://www.eliotnoyescenter.org/events</loc>
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    <loc>https://www.eliotnoyescenter.org/the-noyes-office</loc>
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    <lastmod>2025-05-10</lastmod>
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      <image:title>The Noyes Office</image:title>
      <image:caption>Corporations for which the Noyes Office worked</image:caption>
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      <image:title>The Noyes Office</image:title>
      <image:caption>Noyes with at the Eames Office, 1961 Clockwise from Right: Eliot Noyes, Deborah Sussman, Ray Eames, Eli Noyes, Charles Eames, and Unidentified. The Noyes Office worked closely with the Eames office on many projects.</image:caption>
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      <image:title>The Noyes Office</image:title>
      <image:caption>Eliot Noyes Professional Stamps—Architecture and Industrial Design. The two disciplines were fully integrated in office projects. Add to those graphics and Corporate Consulting. The Noyes office was the only office with such extensive overlaps.</image:caption>
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      <image:title>The Noyes Office</image:title>
      <image:caption>Eliot Noyes with a proposed model for Westinghouse’s 1960 World’s Fair pavilion. The spheres housed individual theaters, each screening a film of different branches of Westinghouse’s diverse enterprises—the purpose to show to the public Westinghouse’s extensive scope-- far broader than its best-known kitchen utilities branch.</image:caption>
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      <image:title>The Noyes Office</image:title>
      <image:caption>Eliot Noyes with a wall of his diplomas and awards, 1960.</image:caption>
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      <image:title>The Noyes Office</image:title>
      <image:caption>Eliot Noyes in front of the IBM Pavilion, San Antonio, Texas. 1968, with the redesigned IBM logo (by Paul Rand). The IBM corporate program integrated Graphics, Architecture, Industrial Design in the heart of the IBM corporate structure. The success of the program demonstrated to the corporate world that “Good Design is Good Business.”</image:caption>
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    <lastmod>2025-05-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/680eed9d8dd5e0324cbf961d/94cec57d-e9b8-4c53-966a-bf46f4c3fac0/industrialdesign1.png</image:loc>
      <image:title>Architecture &amp; Industrial Design</image:title>
      <image:caption>Before and After Images of Images of IBM. Note the range of disciplines that the design program addressed: Architecture, Industrial Design, Graphic, Interiors, Art and Advertising.</image:caption>
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      <image:title>Architecture &amp; Industrial Design</image:title>
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      <image:title>Architecture &amp; Industrial Design</image:title>
      <image:caption>IBM Typewriters and tape recorders. The recorder on the lower right-- in those years, a cutting edge, compact hand-held unit-- used a tape that could be transferred to larger office machines, as shown of the lower left, for listening and transcription.</image:caption>
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      <image:title>Architecture &amp; Industrial Design</image:title>
      <image:caption>A diversity of Noyes designed products. The upper right and lower left, a full-scale mock-up of a public transport vehicle for Westinghouse. On the upper right, a model of an electric vehicle— c1968, 40 years before Tesla. On the lower left, the graphics of a corporate jet, one of several designed for different corporations-- the interiors were also designed by Noyes.</image:caption>
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      <image:title>Architecture &amp; Industrial Design</image:title>
      <image:caption>A prototype model of a Mobil gas station. Noyes moved all the activity of the station to where action is—at the pumps-- providing shelter, adequate lighting and ease of use, leaving the building as a backdrop with a minor roll. The circle, reminiscent of a tire and a steering wheel, became an integral theme to all Mobil products, including graphics and the gas pumps themselves.</image:caption>
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      <image:title>Architecture &amp; Industrial Design</image:title>
      <image:caption>A page from the Mobil Oil Design Manual showing Chermayeff and Geismar’s signage and graphic specifications, also incorporating the circle.</image:caption>
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      <image:title>Architecture &amp; Industrial Design</image:title>
      <image:caption>Mobile gas stations--before and after photographs. The before shows the cacophony of information with resulting confusion; the after, the simplicity of the redesigned station and Chermayeff and Geismar’s Mobil logo graphic.</image:caption>
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  <url>
    <loc>https://www.eliotnoyescenter.org/new-page-1</loc>
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    <priority>0.75</priority>
    <lastmod>2025-05-25</lastmod>
    <image:image>
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      <image:title>Corporate Character</image:title>
      <image:caption>Another example of Noyes’s effort to bring design awareness forward—in this case, by exhibit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/680eed9d8dd5e0324cbf961d/74f49cd6-48b7-44a2-a0f2-697122aef121/education1.png</image:loc>
      <image:title>Corporate Character</image:title>
      <image:caption>Eliot Noyes speaking to management. In-house education--at all corporate personnel levels-- was an integral part of the job. The corporations’ employees would need to pick up and expand the design programs Noyes was developing for them.</image:caption>
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      <image:title>Corporate Character</image:title>
      <image:caption>Noyes takes Raleigh Warner (CEO of Mobil) to Henry Moore’s studio to discuss art in regard to Mobil’s Fine Art Program.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/680eed9d8dd5e0324cbf961d/23a1b575-76cc-4147-be03-4aba49ae7fb4/education3.png</image:loc>
      <image:title>Corporate Character</image:title>
      <image:caption>A still shot from the live Television show, Omnibus, in 1955. Noyes was invited to give a talk aimed at the general public about fundamental architectural principles, in this case gravity. Moments later, he removes a bock at the tower’s base and it comes crashing down.</image:caption>
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      <image:title>Corporate Character</image:title>
      <image:caption>Noyes opens the IDCA with a bang.</image:caption>
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      <image:title>Corporate Character</image:title>
      <image:caption>A concise summary of Noyes’s design principles—as enumerated in his early 1940 exhibit at MoMA of well-designed everyday objects, none by “designers.” Note that it’s only in the 4th point where the traditional idea of design aesthetics enters.</image:caption>
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      <image:title>Corporate Character</image:title>
      <image:caption>In a ceaseless effort to encourage business leaders to better understand the power of design, and to have designers better understand the pressures on corporations, Noyes chaired the International Design Conference at Aspen (IDCA). In that, designers and executives were invited to spend a week exploring topics of mutual overlap. This photo shows the informal Aspen tents setting, conducive to easy discussion with the little inhibition of formality.</image:caption>
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